"Words are, in my not-so-humble opinion, our most inexhaustible source of magic. Capable of both inflicting injury, and remedying it." ‘98. she/her, but all pronouns are fine. happy to chat.
Tumblr Dashboard Simulator: 1670s/1680s English Court
🐶merry-monarch
#monday motivation #motivational quote #there are indeed good thyngs and bad in this countrie #the good: women #the bad: PARLEMENT
5,112 notes
💖 mary-clorine
I have two husbands, and that causes me much trouble and torment of the soul, for I may be with childe by one, and have thus given horns to th'other, who is also a lady, and we have been married first. Now she won’t writ to me as we did as girles, and my lawfull husband, I have not yett told, for my condition is not certain yet. I cannot talk in honesty whith one, and with the other husband, neither.
‘Tis awkward to speak of this, but if not to your friends online, to whom can one talk of such troubles?
#personal #might remove later #aurelia I miss you
2 notes
🤴dukeofm
There are thyngs the governement, the Kinge in particular, do not wish you to know about: the Royall Successioun is all made false, for instead of the D. of Yorke, the True Heir to H. M. the Kinge shoud be the Duke of Monmouth, for he was lawfully begot by the Kinge, then married in secret to the late Lucy Walter, and must therefore be accepted as Prince before his uncle the D. of Yorke, who is a Catholick.
All ye good people should speak up against this injustice! If you cannot pledge your life (if there be a fight), or some shillings to the cause, you may help it greatly alreadie by re-bloggying, and bringing this mater to greater awareness!
#sociall justice #awareness #politick
798 notes
🎀 prettywittynell
@merry-monarch had me painted! For more content like this, and to vote which painter shoud doe me (haha!) next, please visit my OnlieFriendes account!!!
Vouz pouves nous voir en visitant Stichting Kasteel Amerongen, ou icy, en-ligne (un grand mercy au Nederlands Instituut voor Kunstgeschiedenis): https://rkd.nl/images/126807
#meilleur amy #boy best friends #louis n'a pas d'amy si proche que j'ay
905 notes
👑 catholic-guilty666
Why cannot a man haue normall nepheues. One, @je-maintiendrai, is nigh a Puritan in his Protestant fervour, and th'other dispreads falsehoods about the monarcky (and the Roman Church).
I reported the other one, @dukeofm for his libel, in hopes he shall be deactivated, alas th'other I can but block, and not banished from this place. I also hope my daughter the Princess shall divorce him speedilye.
Tonight, I hope to forgett all about this vexing bussinesse by thinking on going a-stag hunting tomorrow with H. M. my brothere, the King.
#vent #vent post #callout post
14 notes
🇮🇹modenamarie
My stepdaughter just got married to someone with a name that sounds like a citrus fruit, should I nickname her:
ok. on date. we aren’t quite hungry yet so we go to the used game/movie/whatever store down the street. we look around at dvds for especially good or bad finds. a thought strikes me that i kind of want to watch jupiter ascending. i turn. instantly make eye contact with the one copy on the shelf. show it to them. they’ve never heard of it. perfect. i can inflict it on them. go to checkout. all is well. it’s like $6 which is way too much but i still want it. cashier opens box. someone has absolutely 1000% stolen the disk for 2015’s masterpiece, jupiter ascending, starring eddie redmayne, you know, that one. pilfered. vanished. me and the cashier are dumbfounded. THIS movie? he reaches under the counter and fiddles around in a box. finds a second, loose, disc. puts it in my box. still charges $6. sends us on our way. who is out here stealing jupiter ascending. why didn’t you just steal the whole box. it can not have been that much harder
it’s a well-known fact in the textile crafting community that “making objects from textiles” is an entirely separate hobby from “having a collection of materials to make things with.”
crafters often refer to this collection as a “stash” or a “hoard.”
it’s normal to have, but sometimes comes with a certain awkwardness.
the problem is that it takes a very long time to make things from textiles - and it is extremely quick, fun and easy to get more materials.
Presents, impulse purchases, leftovers from other projects, things you bought FULLY intending to make something that you changed your mind about…
Another problem is that you genuinely DO have a plan for the materials! your intentions and desires are THERE!
and admitting that it isn’t going to happen - or that your mind has changed, or you’re no longer able to do them - can be really painful!
it’s incredibly hard to say: “we are not the people who can do these things. we are not the people who WILL do these things.”
but sometimes you need to.
it’s a natural part of life. it might feel painful to let go of things that you really want to use, but won’t. But clearing them out - and the attached guilt and shame - will make room for a lot more things in your life.
Room for things you’ll use. Room for the projects you’ll do.
Room and space - not for hanging on to the shades of the ambitions and intentions and people you aren’t - not being held for lives you don’t have - but room and space for who you are today, and who you’ll be tomorrow, and for the things you’ll do.
Hi all! I’ve been kind of quiet on this blog, but I have something really exciting to share today: after six years, I FINALLY figured out the weaving draft for the Fellowship cloaks from Lord of the Rings.
This is a problem I’ve been trying to figure out since shortly after I made my Legolas cosplay in 2018. The cloaks that the nine members of the Fellowship receive in Lothlórien look like a nondescript gray fabric from far away, but zoom in and you’ll see a very complex pattern of horizontal and vertical bars of dark gray and white.
ALT
ALT
(First image from Alleycatscratch, second is a photo of the scarf of the same fabric I bought from Stansborough where I was attempting to trace the pattern repeat with orange thread)
This is going to be a long post, so I’m just going to lead with the completed draft:
ALT
Imagine me Will Smith wife posing at this for the last 24 hours.
It’s got the correct size of pattern repeat! It’s got the five individual ripples! It’s got that dumb little pattern break in the middle that breaks up the center of the leaf motif! I am OVER THE MOON about figuring this out, especially starting out with very little knowledge about weaving drafts in general. More ramblings about this type of draft and my thought process below:
aka I, an archeologist, am here to review the accuracy Penelope’s loom in the 2024 movie ‘The Return’ because I want to avoid thinking about all my papers due next week. For context, I am currently writing my bachelor paper on Minoan textiles, and while I am definitely not an expert, I do know a thing or two about bronze age textile technology
So first point of pedantry: that is not at all a bronze ago loom.
I can’t say exactly say what kind of loom this is, as I’ve only studied bronze ago looms. Whatever kind of horizontal/draw/treadle loom this is, I can confidently state that this would not have been used in Mycenaean times. I’d say that we only see these kinds of looms in Europe from the medieval period, somewhere around the 11th century.
In the bronze age, there are three types of looms in use (as far as we know). The horizontal ground loom, the two beam loom, and the warp-weighted loom. Most traditionally, we see iconography depict Penelope weaving on a warp-weighted loom, like this beautiful vase does.
We can clearly recognize this as a warp weighted loom, because we can see the weights: they’re the little triangles at the ends of the vertical threads (the warp). The warp-weighted loom is also the only loom we can find archeological remains of, as the loom weights were often made of clay (sometimes pebbles), while the other types of looms were purely wooden.
Furthermore, I have genuinely no clue what she is supposed to be doing with her weaving in this short clip. There is no visible shed, which is the separation between the warp yarns, through which you pull the weft, so that you can actually weave something.
Here’s a picture of the shed, as you can see, every other thread is pulled up, and the shed can then be switched around to create a woven pattern.
In the short clip we see, she seems to just be drawing some threads through the warp, which is more than a little nonsensical. If one was weaving a smaller fabric or a tapestry, one could perhaps use a pin or sword beater to pick up individual threads of the warp to pass your horizontal thread (the weft) under, and create patterns that way. That is still not what she is doing here. Additionally, she is weaving a solid red fabric, which would not make it a very interesting tapestry.
Perhaps she’s undoing her weaving in this scene? It would make a little more sense if that was what she was doing, as no one would ever be actively weaving at night! It required a lot of light to be able to see what you were doing. Candle light just did not suffice. It still looks a little strange to me, as I don’t actually see any woven fabric on the loom that she could be undoing. It’s all just loose warp threads.
Honestly, it kind of looks like they picked up a loom from the nearest interactive history museum and plunked it into their movie without doing any research. I think it’s a little sad that when adapting a work that centers weaving as much as the Odyssey does, the filmmakers did not do any research into bronze age weaving. You really don’t need to be writing a paper on this stuff to find sources for this!
I’ll just leave you all with this: a beautiful reconstruction of a warp-weighted loom, with the beginnings of a tapestry as Penelope would have woven it. You can see the loom weights at the bottom, and the sticks in the middle called the heddles, which were used to create the shed I discussed earlier. This is part of the Penelope project.
whichever ad exec at Geico came up with the phrasing “up to 15% or more” needs some kind of award for concocting one of the most meaningless strings of words in the English language. all it guarantees is that the number is either lower or higher than 15%, inclusive. up to 15%… or more. a bladeless knife with no handle.
Polish movie poster for Goncharov by Waldemar Świerzy. Due to delayed release behind the Iron Curtain, the film started screening year later in 1974, which is also the year this poster was made. A classic example of Polish School of Posters.
November marks the second anniversary of the best thing tumblr ever collectively made (up), let’s celebrate it all month long people!
[ID: a Polish-language mock cover for the film Goncharov. /end ID]
the repairs posted above also stem from a nunnery (right around the time that it was seperated from a double cloister, muri abbey), so they were most definitely also done by nuns :)
“It funny because for many years people thought Goncharov was the main antagonist of the film, after all, he’s the one everyone’s out to get, right? But it seems people are starting to understand that in actual fact, it is time that is the main adversary in this story. There’s never enough of it and that torments a lot of characters, especially Goncharov, because he’s fighting so desperately to find his place in a world that is so keen on keeping him ostracized.”
ALT
ALT
ALT
ALT
